The use of three output tubes effectively increases the 300 ohm load by threefold for each output tube, which in turn demands the use of a 900 ohm plate resistor for the input stage. The gain of this revised tube headphone amplifier is 3.6; the output impedance, 42 ohms; the maximum output voltage swing +/-8.5 volts. All in all, a very buffed headphone amplifier, but how good is it as a linestage amplifier? The problem with the inverse pre-distortion technique is that the circuit is optimized for only one specific load impedance, thus limiting its universality. Unlike conventional line amplifiers, whose distortion decreases with unloading, somewhat paradoxically, the unloading of the circuit increases its distortion. One solution is to switch into place a 300-ohm load, when the headphones are removed. This would be easy to implement, as jacks with built in switches are readily available. The alternate approach is to switch out the shunting capacitor at the junction of the pr and the 9.1k voltage-dropping resistor. The 900 and 9.1k resistors combine to form a 10k resistor, which is three times the value of the cathode follower load resistor (3.3k). In other words, we now have a higher gain and lower distortion linestage.
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