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Last issue we covered the theory behind the inner workings of the SRPP circuit. This time we will look into using the SRPP topology in in power amplifiers. In addition, we will look into the possibility of using a variation on this topology to drive a purely reactive load. Finally, we will examine a new variation that should make the Mu Follower crowd happy. Power Amplifiers As the SRPP topology shares the advantage of the of other push-pull topologies of delivering at least twice the idle current into the load, why not use this topology in a power amplifier? One reason against such a design move is that the SRPP is not a perfect push-pull topology in that the grids of the output tubes do not receive a balanced input signal, as the top grid sees not only the drive signal generated by the bottom tube's operation, but also the distortion harmonics it generates, which will not cancel in the output signal. Still, maybe a balanced symmetrical topology that displays well on an oscilloscope might sound skewed at our ears because of its selectively dropping out even harmonics. Maybe partially unbalancing a push-pull amplifier will please the ear more by offering a more natural harmonic structure. At its simplest, the SRPP only requires two tubes: something of a push-pull version of the Simplest Amplifier Possible, no driver stage or phase splitter, just two output tubes. Because only triodes should be used to ensure a low output impedance, and because the output tubes must realize a high transconductance to allow them to forgo the need for a driver stage, the selection of output tubes is limited. The only few that come readily to mind are the triode connected EL84, EL86, and 8417. If a transformer is used at the input, then just about any power triode will work: 2A3, 300B, 6AS7.
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